Edit the supplied wide header image. Preserve its 2:1 framing, overall composition, saturated orange paper ground, midnight-navy torn-paper backyard, large cream moon, shrubs, film camera and tripod, warm filming light, and three people's approximate positions and activities.

Make a substantial change to the HUMAN FORMS: replace all three photographic people with loose, abstract, expressive ink drawings layered over paper collage silhouettes. The dancing figure is a bold, joyful gestural drawing with open arms and a lifted leg. The camera operator and helper should receive the same treatment. Build bodies from a few rough flat cream, orange, and navy paper shapes, then draw over them with confident, irregular black brush ink and scratchy pen. Allow contours to wander across the paper edges. Use dry-brush gaps, a little crosshatching, abbreviated hands, angular elongated limbs, and a few suggestive facial marks. Faces should feel human and lively but be conspicuously drawn, with no recognizable photographic likeness. Leave some contours unfinished and some areas of paper exposed.

The effect should be ink physically drawn onto an assembled photographic collage, then photocopied: scrappy, tactile, spontaneous French New Wave poster energy. Keep the backyard's photographic fragments, paper seams, and coarse printed grain as a contrasting surface beneath the drawn people. Maintain the affection, movement, and homemade filmmaking atmosphere.

This must look visibly more abstract than the source, not like photographs with a sketch filter or outlines added. Remove realistic skin, detailed photographic faces, and photographic clothing rendering from the figures. Favor expressive marks and flat paper over smooth shading. Avoid cute cartoon styling, clean vector lines, polished digital illustration, or 3D rendering. Keep the camera identifiable and the moonlit film shoot legible. Image only, no text, lettering, logos, or watermarks.